MEV – United Patchwork (Horo Records ‎– HDP 15-16 / 2LP-1978)

Label: Horo Records ‎– HDP 15-16

Format: 2 × Vinyl, LP, Album, Gatefold cover / Country: Italy / Released: 1978

Style: Experimental, Free Improvisation

Recorded Rome, November 15 and 16, 1977, Mama Dog Studio.

Antonio Ortolan / art direction

Sandro Lodolo / cover art

Maria Tereza Tannozzini / cover design

Raul Matta / graphic design

Aldo Sinesio / producer

Gianni Gualberto / assistant producer

Raimondo Caruana / recording engineer

Joachim-Ernst Berendt / liner notes

Matrix / Runout (Runout Area Side A): HDP 15-16 - 2 A

Matrix / Runout (Runout Area Side B): HDP 15-16 - 2 2

Matrix / Runout (Runout Area Side C): HDP 15-16 - 2 3

Matrix / Runout (Runout Area Side D): HDP 15-16 - 2 4

side 1:

A  -  Via Della Luce  (Richard Teitelbaum) ............................................................... 23:24

side 2:

B1 - Fox  (Steve Lacy) .............................................................................................. 9:43

B2 - Cross Over One  (Karl Berger) .......................................................................... 2:25

B3 - Slugging Rocks  (Garrett List) ........................................................................... 6:48

side 3:

C1 - Psalm  (Alvin Curran) ...................................................................................... 14:07

C2 - What Is Freedom?  (Frederic Rzewski) ............................................................. 5:25

side 4:

D1 - Dewline  (Steve Lacy) ....................................................................................... 7:54

D2 - Cross Over Two  (Karl Berger) .......................................................................... 3:14

D3 - Cross Over Three  (Karl Berger) ....................................................................... 3:06

D4 - Sea Line  (Steve Lacy) ...................................................................................... 5:25

Musicians:

Frederic Rzewski – piano, electric piano, composer

Alvin Curran – synthesizer, piano, vocal, flugelhorn, composer

Richard Teitelbaum – synthesizer, shells, composer

Karl Berger – vibraphone, piano, electric piano, melodeon, composer

Steve Lacy – soprano saxophone, composer

Garrett List – trombone, composer

One of the most mythical experimental groups of all time, Musica Elettronica Viva was formed in 1966 by a group of American composers in Rome, its nucleus comprised of pianist Frederic Rzewski, sound improviser Alvin Curran, and the improvisatory keyboardist Richard Teitelbaum. Taking cues from John Cage and David Tudor, MEV employed open, limitless structures, using found instruments, toys, a homemade synthesizer, and the first Moog to reach mainland Europe. Improv and critical listening practices aimed to liberate listeners from the constraints of bourgeois capitalism and as their sound evolved, forms of Jewish mysticism and surrealist automaticism pointed to transcendent potential.

An abortive US tour in 1970 split MEV into three units, but the Kabbalistic Dixieland band later reformed with Rzewski, Curran, and Teitelbaum joined by saxophonist Steve Lacy, trombonist Garrett List, and keyboardist Karl Berger. The resultant double album United Patchwork, a return to classic form for MEV – after some of the more tripped-out experiments of the early 70s, recorded in November 1977 at Mama Dog for Horo Records, captures MEV in all of their discordant, improvisatory glory, from Teitelbaum's side-long opener, "Via Della Luce", to the honking noise of Lacy's "Fox", the excessive keyboard meanderings of Curran's "Psalm", Berger's vibraphone folly, "Cross Over One" and Rzewski's ponderous "What Is Freedom".
But, the whole album is, thanks to a very freewheeling sense of improvisation, a stunning mix of free jazz and electronics.

Note:

Richard Teitelbaum, an electronic artist, keyboardist and composer who combined an interest in non-western musical languages with a focus on experimental practice, died on Thursday, April 9, 2020 at HealthAlliance Hospital in Kingston, N.Y.

If you find it, buy this album!

FREDERIC RZEWSKI – Attica / Coming Together / Les Moutons De Panurge (LP-1974 / Opus One – Number 20)

Label: Opus One – Number 20

Format: Vinyl, LP / Country: US / Released: 1974

Style: Experimental, Contemporary, Minimal

A and B1 composed in 1972 and recorded April 20, 1973 at Blue Rock Studio in NYC.

B2 composed in 1969 and recorded at the University of Northern Illinois DeKalb, Illinois, 

May 10, 1973.

Engineers – Eddie Korvin (track A), Jan Rathbun (track B1), Steven Ovitsky (track B2)

Producer – Mike Sahl

Written-by [Text] – Sam Melville (track A), Richard X. Clark (track B1)

Composed By, Liner Notes – Frederic Rzewski

Design [Cover Design] – Herman Zaage

The inks of this cover are fluorescent.

Sponsored in part by the Ford Foundation and Anthony Keashey.

Matrix / Runout (A-Side Runout Etching): OPUS #20 RE <1> CF

Matrix / Runout (B-Side Runout Etching): OPUS No. 20 Side 2 JF

A  -  Coming Together ...................................................................... 19:15

         bass – Richard Youngstein

         piano, electric piano – Frederic Rzewski

         alto saxophone – Jon Gibson

         synthesizer – Alvin Curran

         trombone – Garrett List

         vibraphone – Karl Berger

         viola – Joan Kalisch

         voice [speaker] – Steve Ben Israel

B1 - Attica ......................................................................................... 6:30

         bass – Richard Youngstein

         piano – Frederic Rzewski

         alto saxophone – Jon Gibson

         trombone – Garrett List

         piccolo trumpet – Alvin Curran

         vibraphone – Karl Berger

         viola – Joan Kalisch

         voice [Speaker] – Steve Ben Israel

B2 - Les Moutons De Panurge ........................................................ 16:15

         Blackearth Percussion Group:

         percussion [almglocken] – Garry Kvistad

         percussion [nabimba] – Richard Kvistad

         vibraphone, glockenspiel – Christopher Braun

         xylophone – Anne Otte

Note:

Cover has different typesetting for composer's name (stacked as opposed to on a single line) and lettering is in blue/violet instead of gold. This cover is fluorescent.

Labels on disc are reversed (A-label on B-side). Album has a piece of typewritten paper inserted stating the following:

"Please note: the labels on this record are reversed. We regret the inconvenience."

This brilliant early recording of Frederic Rzewski (unfortunately unavailable of 2002.) showcases the composer emerging from a period in which he was largely involved with free improvisation (with the group Musica Elettronica Viva) and beginning to investigate more structured writing.

The lineup on this recording is pretty amazing. Rzewski himself plays piano. Jon Gibson, who has worked with the big four minimalist composers (Young, Riley, Reich and Glass) as well as being an excellent composer himself, plays alto sax. Composer Alvin Curran, also of Rzewski's MEV group, plays synthesizer. Garrett List, whose beautiful LP "Your Own Self" already on this blog, plays trombone. Karl Berger play vibes, and has played on some classic ESP jazz recordings as well also working with Don Cherry. Violist Joan Kalisch has played on recordings by Don Cherry and Alice Coltrane, and Richard Youngstein has worked with Paul Bley. The reading is done by stage actor Steve Ben Israel, who was a member of New York's Living Theatre.

Here the burgeoning minimalist movement was a prime musical influence, although on two of the pieces what strikes the listener first and foremost is the political content. "Coming Together" melts a wonderfully undulating and propulsive score that just won't give up with the impassioned reading (by Steve ben Israel) of a text written by Sam Melville an inmate at Attica prison documenting both his woes and his impressive resolve not to knuckle under. The words are repeated with increasing ferocity as the music goes through several permutations, eventually matching the speaker in a roaring finish. When other prisoner Richard S. Clark was released from prison in 1972, he was asked by a reporter how it felt to leave Attica behind him. His response, "Attica is in front of me," provides the text for the powerful and haunting second work here. His words are spoken in additive fashion -- first just "Attica" then "Attica is" -- in a soft, almost ghostly fashion over a gently percolating score that combines sorrow and hope in a complex and rich fabric.

"Les Moutons de Panurge," a completely instrumental composition, uses the same basic structural idea. A 65-note melody is performed in the sequence 1, 1-2, 1-2-3, 1-2-3-4, and so on, until the entire melody has been read with the understanding of the near-impossibility of the ensemble staying in unison for the duration. Here, as performed by the Blackearth Percussion Group, it takes on the character of a wild gamelan orchestra, perhaps slightly tipsy. It's utterly invigorating, as is the entire record. Very highly recommended.

_ Review by Brian Olewnick

This LP was recorded is on the excellent Opus One records - all the covers of LPs on the label were meant to respond to black light!....... Trippy.



If you find it, buy this album!

GARRETT LIST – Your Own Self (LP-1972 / Opus One – number 15)

Label: Opus One – number 15

Format: Vinyl, LP / Country: US / Released: 1972

Style: Contemporary, Experimental, Minimal

Label based in Maine run by composer Max Schubel

Works from 1971

Artwork [Cover Art] – Ursula Belden / ?

There are two colour variations of the cover: Green and Orange

Engineer [Recording] – Mike Wolfe

Executive Director – Max Schubel

Composed By – Garrett List

Matrix / Runout (A): OPUS ONE 15AR

Matrix / Runout (B): OPUS ONE 15B

A - Your Own Self ...................................................................... 18:34

B - Your Own Self ...................................................................... 16:37

VOICE –––

          Joan LaBarbara

          Jay Clayton

          Jerry Kaplan

Jon Gibson ––– Saxophone

Mark Gould ––– Trumpet

Lou Ranger ––– Trumpet

David Jolley ––– French Horn

Garrett List ––– Trombone

Roy Pennington ––– Vibraphone

Barry Jekowski ––– Vibraphone

Rick Cutler ––– Piano

Frederic Rzewski ––– Piano

Gregory Reeves ––– Percussion

Gordon Gottliebs ––– Percussion

Mike Williams ––– bass

This piece is a beautiful example of a minimalist/jazz crossover which is exceptionally unique. It inhabits a somewhat similar world to Fred Rzewski's "Coming Together" and "Attica", but is much more indebted to jazz, with a heavily improvised middle section...

Garrett List ––– Trombone

The piece begins with an organ drone, and some quiet singing and reciting of phrases from the text. Gradually more instruments are introduced, primarily horns playing long tones. After a couple of minutes the bass comes in, and starts playing sparse notes, which over several minutes become more frequent until it's playing a full-fledged jazzy bass-line. The horns follow a similar build-up from long tones to faster playing.

The build up in this piece is perfect. It's so slow and fluid, you barely notice anything is happening, until you compare two points in the piece. At 11:00ish on side A there's a sudden break, and a fast, hihat-based drum beat comes in, the first major change in the piece. This section has a beautiful texture with fast piano scales, sparse bass notes, long horn tones, fast vibes, and vocalists singing and reciting the text.

Side A fades out, and Side B begins where A left off, jumping quickly into a long section of freeish jazz, with a propulsive rhythm section laying the base. This goes on for about 9 minutes, and then the piece goes back into a section resembling the first part, with long tones and quiet speaking voices.

There's Fred Rzewski on piano, Jon Gibson on sax, and vocalist Joan LaBarbara (who is an excellent composer as well, and appears on the classic 70s recording of Philip Glass' "Music in Twelve Parts").

Excellently pressed. Great dynamics and sound. Stunningly beautiful piece to be listened to at high volume. Wonderful!

Your Own Self, sought and received, mister ..... correct silence.

If you find it, buy this album!