B. PETROVIC'S NONCONVERTIBLE ALL STARS – Swinging East / Recorded Live At The Berlin Jazz Festival (LP-1973)

Label: MPS Records/BASF – 21 21282-3

Format: Vinyl, LP, Album / Country: W. Germany / Released: 1973

Style: Contemporary jazz, Big Band

Recorded on November 4, 1971 at Berlin Jazz Festival, W. Germany.

Also on label PGP RTB ‎– LP4345 (Yugoslavia)

Design – MPS-Atelier

Photography By [Cover] – Ralph Quinke

Photography By [Inside And Reverse] – Hans Harzheim

Liner Notes [English Translation] – Andrew Carnegie

Liner Notes [German] – Peter Baumann

Producer – Joachim E. Berendt

Matrix / Runout (Side A): 1<¬ 0666 15B S1 2121282 3 S1 ℗1973

Matrix / Runout (Side B): 1<¬ 0666 15B S2 2121282 3 S2 ℗1973

A1 - Balkan Blues ................................................................................................. 14:40

        (Written-By – Bosko Petrović)

A2 - Sigo's Garden ............................................................................................... 10:30

        (Written-By – Bosko Petrović)

B  -  With Pain I Was Born .................................................................................... 20:45

        (Folksong , Arranged By – Bosko Petrović)

Musicians:

Bosko Petrović – vibraphone, flute [darmarofon], goblet drum [tarabrooka], marimba

Ozren Depolo – alto saxophone, bass clarinet

Dan Mandrila (Mîndrilă) – tenor saxophone

Salko Mujićić – flute, alto-flute, piccolo flute

Simeon Shterev – flute

Michał Urbaniak – electric violin

Tihomir Pop Asanović – organ

Aladár Pege – double bass

Miljenko Prohaska – electric bass

Ratko Divjak – drums

German pressing / MPS Records/BASF – 21 21282-3_____Out of stock –  (never on a CD)

Note:

Darmarofon as played by Bosko on track B1 is a custom made wooden flute from Istria (now part of Croatia & Slovenia) with a sizable mouthpiece and two reeds producing a multiphonic sound.

Recorded Live at the 1971 Berlin Jazz Festival, Swinging East is testimony to jazz’s ability to cross over international boundaries. Representing various Communist Bloc countries, the musicians were all-stars in their own lands, and three of the players, Croatia’s Bosko Petrovic, Polish violinist Michal Urbaniak, and Hungarian bassist Aladar Pege, gained international fame. Czech flutist Jiří Stivín and Polish violinist Zbigniew Seifert were originally billed for this unique concert but due to difficulties with the officials in their countries they couldn’t travel to Berlin.

Based on a melody from the Kolo, an old Serbian folk dance, Balkan Blues starts off in 7/4 then swings into a slow blues with emotive solos, and Pege’s virtuoso bowed bass. There’s a Latin and funk feel to Sigo’s Garden, with fine flute solos and Bosko’s warm marimba play. Based on an Macedonian folk song, With Pain I was Born to Live fluctuates between a 7/4 and 4/4, with a beautiful section in which Bosko improvises on the tarabrooka, a traditional Macedonian drum, accompanying a short flute solo that captures the timeless Balkan soul. A fascinating mix of jazz and East European folk.

To pretty brian – Enjoy!

If you find it, buy this album!

TONE JANŠA QUARTET – Goa (LP-1983)

Label: Jugoton – LSY-66184

Format: Vinyl, LP, Album; Country: Yugoslavia - Released: 1983

Style: Post Bop, Modal

This record was released around the tenth anniversary of Janša's quartet; it represents the last four versions of the group.

Artwork By – Dragana Midič

Editor-in-chief – Dubravko Majnarić

Editor – Vida Ramušćak

Liner Notes – Janez Gregorc

Written-By, Leader – Tone Janša

Psychedelic Yugoslav free jazz could be the best definition of this amazing album, released in 1983 for Jugoton record label. Somehow, maybe it’s my subjective origin based opinion, but the traditional sound of Balkan is in a perfect emotional synergy with the jazz form played by the artists. Themes are  utterly contagious, while inspiring solos will fly you away into a complete trance. With such a soul given play, Tone Janša celebrates the tenth anniversary of the existence of his quartet. Definitely, a true gem of Yugoslavian jazz. Enjoy!

A1 - Goa . . . 10:36

            BERND DIETRICH – double bass, (soloist)

            GERHARD WENNEMUTH – drums

            DEJAN PEČENKO – piano

            TONE JANŠA – soprano saxophone, (soloist)

A2 - Trainin' . . . 5:22

            KAREL NOVAK – bass

            RATKO DIVJAK – drums

            SLAVKO AVSENIK Jr. – piano, (soloist)

            TONE JANŠA – tenor saxophone, (soloist)

A3 - Yatra  . . . 6:23

            ADELHARD ROIDINGER – double bass

            RATKO DIVJAK – drums

            DEJAN PEČENKO – piano, (soloist)

            TONE JANŠA – Wind [Shinay], (soloist)

B1 - Stroll And Flight . . . 10:44

            KAREL NOVAK – bass

            RATKO DIVJAK – drums

            SLAVKO AVSENIK Jr. – piano, (soloist)

            TONE JANŠA – tenor saxophone, (soloist)

B2 - Black Time . . . 10:03

            ADELHARD ROIDINGER – double bass, (soloist)

            RATKO DIVJAK – drums

            TONE JANSA – flute, (soloist)

            ANDY LUMMP – piano, (soloist)

                Tone Janša

Liner Notes:

Tone Janša celebrates the tenth anniversary of the existence of his quartet. On this record he represents the last four versions of his group, which changes its members according to need:

Tone Janša ss, Dejan Pečenko p, Bernd Dietrich b, Gerhard Wennemuth dr on "Goa" A1

Tone Janša ts, Slavko Avsenik jun. p, Karel Novak b, Ratko Divjak dr on "Trainin'" A2 and "Stroll and flight" B2

Tone Janša fl, Andy Lummp p, Adelhard Roidinger b, Ratko Divjak dr on "Black time" B2

Tone Janša shinay, Dejan Pečenko p, Adelhard Roidinger b, Ratko Divjak dr on Yatra A3

After having finished his studies in Classical music and Jazz in Graz and after his Jazz studies at Boston's Berklee College of Music, Tone Janša returned to Yugoslavia, joined the RTV Ljubljana Big Band as saxophonist and devoted more time to his own music and quartet. He recorded in Ljubljana at North German radio station in Hamburg, in Trieste in numerous Yugoslav TV and radio studios. Further he played and recorded on Jazz Festivals at:

1974 the Polish "Jazz nad Odra", in Graz where he played in the international Big Band under the direction of Slide Hampton

1975 in Debrecen and Nagykanisza in Hungary, Ljubljana Jazz Festival, Finland "Pori Jazz Festival"

1976 in Prague with Gustav Brom's Big Band, Ljubljana and Belgrade Jazz Festival

1978 UER/EBU (Europena Big Band) in Perugia - Italy

1979 Yugoslav Jazz Festivals (Maribor, Novi Sad, Belgrade, Zagreb)

1980 Yatra Jazz Festival in Bombay + an extensive tour of India Burghausen Jazz Festival in Germany

1981 Berlin Jazz Festival "Jazz Buhne Berlin 81", Austrian Jazz Days in Linz, Aarhus EBU Jazz Festival in Denmark

1982 Saalfelden in Austria, Ljubljana and Maribor Jazz Festival, Nagykanisza and Sombathely in Hungary and many others

Tone Janša is without doubt one of the most promising jazz musicians in Yugoslavia. He represents a new trend, which one readily recognizes after having listened to his music. His music is fresh, dynamic, and modally as well as rhythmically very interesting. He composes and plays his own music.

_ By JANEZ GREGORC

If you find it, buy this album!