Label: CBS / Sony - SONP 50296-L
Series:
SX68Sound -, Sound Adventure Series -
Format:
Vinyl , LP, Album / Country: Japan / Released: 1971
Style:
Avant-garde, Modal, Free Improvisation
Recorded
at CBS/Sony Studio, Roppongi, Tokyo on October 10-13, 1970.
Design
[Cover] - Mitsuru Yamada
Photography
By - Hozumi Nakadaira
Engineer
[Recording] - Mitsukazu Tanaka , Ryusuke Sase
Producer
- Koji Amenomori
Supervised
By - Shoichi Yui
Directed
By - Shinichi Hashimoto
Gatefold
sleeve with insert.
Title
given in katakana as "デパーチャー/イントロデューシング"
Matrix
/ Runout (Runout, Etching, Side A): 50296-A1 IA3
Matrix
/ Runout (Runout, Etching, Side B): 50296-B1 IA3
side
1:
A1
- Nothing On Either Side .....................................................................................
11:24
A2
- Flow, As They Flow ............................................................................................
6:14
side
2:
B1
- The Lupus .........................................................................................................
11:35
B2
- Elegy .................................................................................................................
11:22
Music
and Arranged By – Masahiko Sato
Personnel:
Kosuke
Ichihara – tenor saxophone, sopranino saxophone, flute
Masahiko
Sato – fender piano
Masaoki
Terakawa – bass
George
Otsuka – drums, percussion
Hiroki
Tamaki / Seiichiro Yamamoto – violin
Osamu
Suzuki – viola
Toshibumi
Waki – cello
This work is often described as avant-garde jazz, but Love Live Life (3L) has a strong New Rock color, but this is the basic while still incorporating the latest sounds of modal, free, electric, etc. It is composed of jazz idiom, and you can see that 3L is in a different line.
There
are two compositions on page A, the first "Nothing On Either Side" is
a song, piercing with a free-form ad-lib from, a brilliant opening for the
track "Flow, As They Flow" a beautiful ballad with a delicate touch.
Side
B begins with "The Lupus", maestral groovy funky tune, and the album
ends with 11+ minutes "Elegy" featuring a flute with a conceptual
flow with avant-garde touch strings on the front and back. It is finished in a
joyful work where you can feel the excitement of interplay in the midst of
tension.
All
the compositions are very attractive and well thought out, and the overall flow
is wonderful. It is one that can be enjoyed by Kosuke Ichihara and Masahiko Sato
at the peak...
Another rare Japanese beauty. ENJOY!
If
you find it, buy this album!