Label:
Matchless Recordings – MR 01
Format:
Vinyl, LP / Country: UK / Released: 1978
Style:
Free Jazz, Free Improvisation
Recorded live of
a concert at the Cambridge College of Art and Technoloy on May 19, 1977.
Mastered
By – George Peckham
Recorded
By – Pete Nesbit
Concert
Organized By – Jane and Roger Giddings
Published
By – Matching Music Publishing Co. Ltd.
A
- The Fireman's Act
.............................................................. 18:00
B
- Green King
......................................................................... 25:02
Musicians:
Eddie
Prévost – drums, percussion
Geoff
Hawkins – tenor saxophone
Gerry
Gold – trumpet, flugelhorn
Marcio
Mattos – double bass
This
is the first of a two volume, recordings of a concert at the Cambridge College
of Art and Technoloy on May 19, 1977. ["Live - Volume 2" (Matchless
Recordings - MR 02)]
Aside
from working with the influential avant-garde ensemble AMM, percussionist Eddie
Prevost led some highly challenging British free jazz groups in the '70s. These
sessions from 1977 showcase a project featuring Geoff Hawkins on saxophone,
Gerry Gold on trumpet, and the phenomenal talents of Marcio Mattos on bass.
With Prevost's always inventive and high-energy drumming holding it all
together, the quartet explores the tradition of free jazz with the astute wit
of classical musicians. The excellent recording and sequencing of the pieces
make this LP a compelling collection of avant garde jazz...
...Prévost's
jazz origins are still quite clearly audible on 'Live', the album which
inaugurated his own Matchless label, and one on which he delivers, as a
obstretrician might, one of the best recordings of this period of British free jazz.
Gold
and Hawkins make a marvellous partnership, ranging from austere fury to jovial
reave-ups which occasionally recall the more experimental Mingus's workshop
bands. Gold in particular has a clear, emphatic signature, idiosyncratic enough
to make one wonder why he hasn't recorded more often.
Prévost
is one of the most articulate exponents of the music. He is author of a book
called 'No Sound is Innocent' in which he argues the existence of an aesthetic
in which music is inseparable from the realm of ideas and soclal exchanges. The
quartet might seem conventioanlly distant from what he has done with AMM and
other groups, but it dies illuminate how generously he opens himself to
situations in which hierarchis collapse. There is no 'front line' here, no
'rhythm section.' It is the equivalent of total football, everyone contributing
at every level...
If you find it, buy this album!
EDDIE PRÉVOST BAND – Live Volume 1 (LP-1978)
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Many thanks for this. Anything related to AMM is worth a listen!
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