THE WOLFGANG SCHLÜTER COMBO – Hangover (PIL 9038 / LP-1977)

Label: Peer International Library Limited – PIL 9038

Also on: Southern Library of Recorded Music - MQLP 9038

Series: Contemporary 9000 –

Format: Vinyl, LP / Country: UK / Released: 1977

Style: Contemporary Jazz, Avant-garde, Modal

Recorded at PEER - SOUTHERN STUDIOS, Hamburg, W. Germany

Design [sleeve] – Jack Mooring

Engineer – Frank Reinke

Producer – John O'Brien-Docker

Composed By – Wolfgang Schlüter

Matrix / Runout: PIL–9038.A–IV

Matrix / Runout: PIL–9038.B–2C

Very rare Peer International Library Limited – PIL 9038, LP from 1977 (UK). This is a great Jazz, LP with a soulful groovy feel.  Nice use of Vibes! ____ Sold out! –  (never on a CD)

A1 - Hangover ................................................................................................... 11:07

A2 - Consensus .................................................................................................. 4:39

A3 - Sun Up ........................................................................................................ 4:38

B1 - Dance Of The Dinosaurs ............................................................................ 7:57

B2 - Time And Tide ............................................................................................. 5:20

B3 - Thirst ........................................................................................................... 5:10

Personnel:

Wolfgang Schlüter – vibraphone, percussion

Leszek Zadlo – soprano saxophone, tenor saxophone, flute

Jan Tolf – guitar

Rob Franken – keyboards

Lucas Lindholm – bass

Alex Riel – drums, percussion

Wolfgang Schlüter, a jazz fusion vibes player, in the vein of Dave Pike. His Wolfgang Schlüter Combo album HANGOVER is notable for the Brave New World, connections of Lucas Lindholm and John O'Brien-Docker (as producer), I mean their collaboration on the 1972 album - Impressions On Reading Aldous Huxley (Vertigo ‎– 6360 606). Here really goes well with rather easy listening moody jazz-fusion with Leszek Zadlo's saxes as the main solo instruments and Schlüter's cool vibes a close second.

If you find it, buy this album!

GEORGE ADAMS / ARCHIE SHEPP / HEINZ SAUER – Frankfurt Workshop '78: Tenor Saxes (Circle Records / LP-1978)

Label: Circle Records – RK 24978/31

Format: Vinyl, LP, Album / Country: Germany / Released: 1978

Style: Avant-garde Jazz

Recorded 24/9/1978 at the 16th German Jazz Festival in Frankfurt by Hessischer Rundfunk.

Photography – Heinz Sauer / Juliane Werner

Design and Other Photography – Rudolf  Kreis

Producer – Fritz Rau / Horst Lippmann

Executive Producer – Rudolf  Kreis

Executive Manager – Peter Zünkler

Artist Releations – Gabi Kleinschmidt

Matrix / Runout (A): F 669 294 A - I

Matrix / Runout (B): F 669 294 B - I

Tracklist:

A  -  Free For Three ................................................................................. 22:30

B1 - For Art´s Art Now ............................................................................. 14:50

B2 - In A Sentimental Mood ...................................................................... 5:20

B3 - Free Interlude .................................................................................... 1:30

Line-up/Musicians:

Archie Shepp – tenor & soprano sax

George Adams – tenor sax

Heinz Sauer – tenor sax

Rainer Brüninghaus – piano

Palle Danielsson – bass

Alex Riel – drums, percussion

Recorded 24/9/1978 at the 16th German Jazz Festival in Frankfurt by Hessischer Rundfunk.

Original German pressing. Artists: George Adams / Archie Shepp / Heinz Sauer featuring Rainer Brüninghaus, Palle Danielsson and Alex Riel. Recorded In 1978 At The 16th German Jazz Festival In Frankfurt. Rare.

If you find it, buy this album!

ARCHIE SHEPP / LARS GULLIN QUINTET – The House I Live In (1963-LP-1980)

Label: SteepleChase – SCC 6013

Format: Vinyl, LP, Album / Country: Denmark / Released: 1980

Style: Free Jazz, Improvisation

Recorded live at Jazz Club Montmartre, Copenhagen, November 21, 1963.

Previously unissued recordings by the Danish radio

Artwork – Per Grunnet

Photography By – Jan Persson

Producer, Mixed By – Nils Wither

A1 - You Stepped Out Of A Dream ............... 19:40

A2 - I Should Care ........................................... 9:00

B1 - The House I Live In .................................. 9:35

B2 - Sweet Georgia Brown ............................ 11:25

Archie Shepp – tenor saxophone

Lars Gullin – baritone saxophone

Tete Montoliu – piano

Niels-Henning Ørsted Pedersen – bass

Alex Riel – drums, percussion

This is a fascinating release. Tenor-saxophonist Archie Shepp would not burst upon the U.S. avant-garde scene until 1964-65 but here he is featured at a Danish concert with the great coolbop baritonist Lars Gullin and a top-notch straightahead rhythm section (pianist Tete Montoliu, bassist Niels Pedersen and drummer Alex Riel). The quintet stretches out on four lengthy standards (including "Sweet Georgia Brown" and a 19-minute rendition of "You Stepped out of a Dream") and it is particularly interesting to hear the reactions of the other musicians to Shepp's rather free flights; at a couple of points Gullin tries to copy him. An important historical release.

Europe has always been fertile ground for Shepp. As he has said himself, the greater intellectualism of European audiences made it much easier for his complex music to find receptive ears. As a result several periods of his career have been spent in Europe and a great many recordings have become available. One of the earliest is this 1963 Danish concert featuring bop baritonist Lars Gullin and bass stalwart Niels Henning Orsted Pedersen.

Saxophonist and playwright Archie Shepp (b. May 24, 1937 in Fort Lauderdale. FL) then 26 years old visited Copenhagen in the fall of 1963 as a member of the famed New York Contemporary Five.

The quintet work through four standards, the opener 'You Stepped Out Of A Dream' being the high point. It's a long piece at nineteen minutes, giving Shepp ample time to improvise in his usual manner. The contrast with the straight-ahead rhythm section is marked, being all the more obvious at those times when Gullin tries (not always successfully) to follow Shepp in his flights.

Though Shepp at that time was the passionate practitioner of Free jazz, this recording in which he shared the bandstand with Sweden’s legendary baritone sax Gullin is something quite different from what one normally expects from Shepp in the 60s. It is Shepp playing straight jazz with audible enjoyment showing off his broad range of expression.

If you find it, buy this album!