Showing posts with label Sonelius Smith. Show all posts
Showing posts with label Sonelius Smith. Show all posts

Monday, April 10, 2017

SHAMEK FARRAH – First Impressions (Strata-East – SES-7412 / LP-1974)




Label: Strata-East – SES-7412
Format: Vinyl, LP, Album / Country: US / Released: 1974
Style: Soul-Jazz, Contemporary, Free Jazz
Recorded and mixed at Sound Ideas Studio, New York City.
Artwork [Graphics] – Jerry Harris
Photography By [Liner Photo] – Richard Hinson
Engineer [Recording] – Geoff Daking, George Klabin
Producer – Shamek Farrah / Janfar Productions
Matrix / Runout (Side A Etched): SES-7412-A
Matrix / Runout (Side B Etched): SES-7412-B

A1 - Meterologicly Tuned ................................................................................... 11:20
A2 - Watch What Happens Now .......................................................................... 5:43

Shamek Farrah – alto saxophone
Norman Person – trumpet
Kasa Mu-Barak – piano
Milton Suggs – bass
Clay Herndon – drums, percussion

B1 - Umoja Suite ................................................................................................. 7:26
B2 - First impressions ....................................................................................... 10:30

Shamek Farrah – alto saxophone
Norman Person – trumpet
Sonelius Smith – piano
Milton Suggs – bass
Ron Warwell – drums
Kenny Harper – percussion
Calvert "Bo" Satter-White – conga

Fantastic piece of free improvised groove jazz. The players are kind of doing there solos together at the same time, but never loose touch to that bassline groove, outstanding, free, but never too free, just really soulful interaction and a mysterious ancient vibe to it.



One of the hardest to find records on Strata East, and one of the best – a darkly-crafted session of pure beauty, one that lives up to all the best promise of the label! The tracks are long, the sound is bold, and the whole thing moves at a pace that none of the bigger jazz labels were matching at the time – the most righteous, most expressive side of jazz in the mid 70s! Alto player Shamek Farrah is at the lead of a unique group that features Norman Person on trumpet, Milton Suggs on bass, and Sonelius Smith on piano – plus lots of additional drums and percussion, especially on side two of the album, which features some really righteous numbers! Titles include the massive bass sample track "First Impressions" – a symphony of dark, descending chord structures – plus "Meterologicly Tuned", "Watch What Happens Now", and "Umoja Suite". Incredible good! 
(Dusty Groove, Inc.)



If you find it, buy this album!

Saturday, May 9, 2015

WILDFLOWERS 2 – The New York Loft Jazz Sessions (Douglas / LP2-1977)




Label: Douglas – NBLP 7046
Series: Wildflowers: The New York Loft Jazz Sessions – 2
Format: Vinyl, LP, Album / Country: US / Released: 1977
Style: Free Jazz, Free Improvisation
Recorded May 14 thru May 23, 1976 at Studio Rivbea, 24 Bond Street, New York.
Engineer [Assistant] – Les Kahn
Engineer [Chief] – Ron Saint Germain
Engineer [Remote Assistant] – Matt Murray
Executive-producer – Harley I. Lewin
Liner Notes – Ross Firestone
Mastered By – Ray Janos
Photography By – Peter Harron
Producer – Alan Douglas, Michael Cuscuna, Sam Rivers

A1 - Flight To Sanity – The Need To Smile .................................................. 10:47
         Bass – Benny Wilson
         Congas – Don Moye
         Drums – Harold Smith
         Piano – Sonelius Smith
         Soprano Saxophone – Art Bennett
         Tenor Saxophone – Byard Lancaster
         Trumpet – Olu Dara

A2 - Ken McIntyre – Naomi ............................................................................ 6:00
         Congas, Percussion – Andy Vega
         Flute – Ken McIntyre
         Percussion [Multiple] – Andrei Strobert
         Piano – Richard Harper

B1 - Anthony Braxton – 73°-S Kelvin ............................................................. 6:30
         Alto Saxophone, Clarinet, Contrabass Saxophone – Anthony Braxton
         Bass – Fred Hopkins
         Drums – Barry Altschul
         Guitar – Michael Jackson
         Piano – Anthony Davis
         Percussion – Phillip Wilson
         Trombone – George Lewis

B2 - Marion Brown – And Then They Danced ............................................... 7:00
         Alto Saxophone – Marion Brown
         Bass – Jack Greg
         Congas – Jumma Santos

B3 - Leo Smith & The New Delta Ahkri – Locomotif N°6 ............................. 6:00
         Alto Saxophone – Oliver Lake
         Bass – Wes Brown
         Drums – Paul Maddox, Stanley Crouch
         Piano – Anthony Davis
         Trumpet – Leo Smith

Note:
A1. Due to technical live recording problems, the beginning of "The Need To Smile" was not properly recorded. The producers felt the performance strong enough to include it with a logical beginning at the soprano saxophone solo.
B1. "73°-S Kelvin" is an excerpt of a continuous performance.
B2. "And Then They Danced" is presented here in its entirety. It fades rather than ends with applause because it was part of a continuous set where one composition followed into the next.

... Free jazz being almost synonym of Jazz during short period of late 60s-early 70s disappeared from American jazz scenes blown away by fusion.Yesterday stars trying to survive changed their music to more accessible (as Archie Shepp)or moved to Europe where free jazz stayed alive founding its niche in small clubs for years.In late 70s though American free jazz experienced some renaissance in a form of so called "loft jazz scene" - avant-garde jazz musicians activities based around New York Soho district former industrial lofts, refurbished to musicians studios. One of central such studio was Sam Rivers Studio Rivbea. Lot of concerts took a place there and some cult albums were recorded as well...

The second volume in this seminal series from the mid 70s – one that did a great job of documenting some of the formative underground playing that was happening in the New York loft scene, almost more creative work than in previous generations, thanks to a lack of commercial venues, and hence, commercial constraints on the music. Tracks include "And Then They Danced" by Marion Brown, "Locomotif" by Leo Smith, "Naomi" by Ken McIntyre, and "The Need To Smile" by a group with Byard Lancaster, Sonelius Smith, Don Moye, and Olu Dara.



If you find it, buy this album!