Showing posts with label Frode Gjerstad. Show all posts
Showing posts with label Frode Gjerstad. Show all posts

Sunday, June 29, 2014

DETAIL - Johnny Dyani/Frode Gjerstad/ John Stevens – Backwards And Forwards - First Detail (1982-85)



Label: Impetus Records – IMP CD 18203
Format: CD, Album, Reissue; Country: UK - Released: 2000
Style: Free Jazz, Free Improvisation
Recorded at Staccato Studios, Stavanger, Norway on 11th October 1982
Track C previously unreleased, recorded in 1985, no other details.
Original cover artwork (front cover reproduced above) 1 2 NO 1 by John Stevens
Original LP design by Fay Stevens
Engeneer By – Kjell Arne Jensen

The free jazz group Detail, co-founded by Norwegian saxophonist Frode Gjerstad and British drummer John Stevens, was most often a trio. In the beginning the third member was Norwegian pianist Eivin One Pedersen. Pedersen left shortly after bassist Johnny Dyani joined. After Dyani's death in 1986, Kent Carter took over as bassist. Detail continued performing and recording until Stevens' death in 1994. The group's seven recordings were released on Impetus, Cadence, and Gjerstad's label, Circulasione Totale.




Frode Gjerstad is one of the few Norwegian musicians playing modern improvised music outside the 'ECM-school'. He has chosen to play with foreign musicians because there is no tradition in Norway for free improvised music.

His relationship with John Stevens which started in 1981 and lasted up until Stevens' death in 1994 was of great importance both musically as well as on a personal level. Through Stevens, he became acquainted with the playing of some of the finest British improvisers. His longstanding group with Stevens, 'Detail', started as a trio in 1981 with keyboardist Eivin One Pedersen, though Johnny Mbizo Dyani came in on bass in 1982 and Pedersen left later that year. The group played mainly as a trio until Dyani's death in 1986, though they did invite occasional guests to fill out the lineup; they undertook a tour of Britain in 1986 as a quartet with Bobby Bradford on cornet. Bradford did another tour with Detail with Paul Rogers on bass and then one with Kent Carter on bass; a quartet tour of Norway was organised with Billy Bang in 1989. The group then continued as a trio with Carter till 1994 when Stevens died.
_ By Joslyn Layne, Rovi


Impetus Records:
http://www.impetusdistribution.co.uk/css/pages.ID/imp.id.html



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Monday, April 8, 2013

BRADFORD + GJERSTAD + HÅKER FLATEN + NILSSEN-LOVE – Reknes (2009)





Label: Circulasione Totale – CTCD11
Format: CD, Album; Country: Norway - Released: 2009
Style: Free Jazz, Free Improvisation
Recorded live at the Molde International Jazz Festival 2008
Recorded and mixed by Frode Gjerstad
New Design (pages 2,3,4,5,6) by ART&JAZZ Studio; Artwork and Design by VITKO
Produced by Gjerstad / Bradford / Håker Flaten / Nilssen-Love


Of his ten-year relationship as part of the Cecil Taylor Unit, bassist William Parker writes "It is great music, but you have to be a great musician to play it because you are given so much freedom that it can become meaningless...(Jimmy Lyons) knew his horn and he didn't just honk and scream, he had a language...while at the same time he maintained and developed his own identity."

No strangers to the aforementioned free-jazz pitfalls, trumpeter (and sole non-Norwegian of the group) Bobby Bradford (here on cornet), sax / clarinetist Frode Gjerstad, bassist Ingebrigt Håker Flaten and drummer Paal Nilssen-Love gathered at the 2008 Molde International Jazz Festival. Drawing on their ridiculously extensive experience, you will be happy to know they capably passed Parker's test.

Filling the sonic spectrum with an incredible amount of information, the quartet rips through an hour-long set best described, in the jazz parlance, as smoking: nimble and explosive, bordering on mayhem, but a controlled chaos. Largely eschewing extended techniques and completely forgoing garish instrument supplements (i.e. amplification, electronic manipulation), they attack from their respective corners with virtuosic showmanship and prowess, navigating through tangling rhythmic highways, aggrandized forms and harmonic accord / relocation / dispersion. Nilssen-Love's fleet, multi-armed waves of crashes, pedal taps, rolls and multi-stylistic patterns conjoin with Håker Flaten's lyrical rumble, a rhythm section met with Bradford's tendency to rasp and sway and Gjerstad's ability to go from graceful to squealing like a dog on fire to prolonged, dashing, technically perfect scalar runs.

The group knows how to step aside and let the individual members shine, but glories in nearly stepping on toes — while making the latter gestures seamless and congruent to the global push. During "Reknes 4", Bradford bursts to the front with a lick from Stravinski's regal Ballerina Dance (from Petrushka), reconfiguring and transposing the phrase. Do the other three follow? Håker Flaten digs deep with a wrenching, bowed grind, someone comes close to yodeling, Nilssen-Love adopts a Latin funk groove with someone (possibly the yodeler) calling out the down beats. Dexterously, Gjerstad eludes and instantly takes the work back to a sprint, never missing a beat or breaking the spell.

A note about the mixing: captured in near-mono, the recording lends itself to the bare- knuckles jaunt and inspires nostalgia for records where the fight was the performance, not the display of microphone, EQ and compression techniques.

Reknes, however, is not a one-up competition; nor does its strength lie in an obvious devotion to, as Parker relates, a higher power. It is simply this: fun. This group is fun. Quoth Gjerstad: "Isn't it important to enjoy what you are doing? And if you enjoy what you do, presumably you will do it much better. And if you like what you are doing you will do it with conviction. And then the audience, hopefully, will appreciate an honest performance." Yes, we do appreciate it.

_ Review by DAVE MADDEN, 2010-06-02



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Sunday, February 10, 2013

FRODE GJERSTAD / NICK STEPHENS / PAUL HESSION – Live At The Termite Club (2003)



Label: Loose Torque – LT 009
Format: CD, Album; Country: UK - Released: 2003
Style: Free Improvisation
Recorded live at the Termite Club, Leeds 2003
Artwork – Fay Stephens

Description : Recorded live at the Termite Club in Leeds in September of 2003 and featuring Frode Gjerstad on clarinets and alto sax, Nick Stephens on bass and Paul Hession on drums. Finland's finest free sax player, Frode Gjerstad, never seems to rest as he can be found on 40+ discs from a half dozen different labels. His long-term relationship with John Stevens & Johnny Dyani in Detail and 3 discs with Derek Bailey, remain amongst his most visible successes. He chooses to work with the best players from around the world: Bobby Bradford, Borah Bergman, Peter Brotzmann, Paal Nilssen-Love, William Parker & Hamid Drake, to name a few.
Here with matches wits with some of the UK's best, Nick Stephens on acoustic bass and Paul Hession on drums. Consisting of two long pieces (25 1/2 & 37 minutes) and one shorter piece and well-recorded as are all of Nick Stephens' superb Loose Torque releases. "Meeting at the Adelphi" begins quietly with Frode playing a great deal of eerie clarinet as Nick bows expressively, the piece is filled with suspense. Paul Hession, also takes his time and delicately knits with his equally subtle drumming. Nick's immense bass is again at the center of the storm as it builds through intense sections. This mighty trio obviously mean business as they take us all for wonderful ride up and down the mountains and valleys, there is no turning back as soar to the stratosphere and beyond. - BLG

Note:

FRODE GJERSTAD is one of the few Norwegian musicians playing modern improvised music outside the 'ECM-school'. He has chosen to play with foreign musicians because there is no tradition in Norway for free improvised music.

His relationship with John Stevens which started in 1981 and lasted up until Stevens' death in 1994 was of great importance both musically as well as on a personal level. Through Stevens, he became acquainted with the playing of some of the finest British improvisers. His longstanding group with Stevens, 'Detail', started as a trio in 1981 with keyboardist Eivin One Pedersen, though Johnny Mbizo Dyani came in on bass in 1982 and Pedersen left later that year. The group played mainly as a trio until Dyani's death in 1986, though they did invite occasional guests to fill out the lineup; they undertook a tour of Britain in 1986 as a quartet with Bobby Bradford on cornet. Bradford did another tour with Detail with Paul Rogers on bass and then one with Kent Carter on bass; a quartet tour of Norway was organised with Billy Bang in 1989. The group then continued as a trio with Carter till 1994 when Stevens died.

Frode Gjerstad has also been active, running a group of very young Norwegian musicians, Circulasione Totale Orchestra, where he is dealing with electric instruments and modern rock- oriented rhythms. He has used the band to present his own compositions as well as a workshop and place for young people to get to know free improvisation. The band presented a commissioned work at the Molde Festival in 1989 with a 13 man band combining free improvisastions, compositions as well as rapping and scratching (three horns, three bassists, three drummers, accordion, guitar, a rapper and a scratcher).

His current groups include: the Frode Gjerstad Trio with William Parker,bass and Rashid Bakr, drums; the Circulasione Totale Orchestra with young Norwegian musicians; and a quartet completed by Hasse Poulsen, guitars, Nick Stephens, bass, and Louis Moholo, drums. Frode Gjerstad has received several grants from differnt foundations and has been very active in the Norwegian Jazzmusicians Federation as well as in the committee for the Norwegian Contemporary Music Federation. He runs his own label, Circulasione Totale.


NICK STEPHENS - Born Sutton Coldfield 1946. Double bass, bass guitar.

Nick Stephens started his first group aged 14, playing bass guitar, with schoolfriend guitarist Dave Cole. Through their teenage years they played the pubs, clubs, dance halls and US Bases of the UK and Europe. At 21 he returned home, bought a double bass and joined the Midlands Youth Jazz Orchestra. Here he met and played with Dave Panton and Jan Steele. And then, Stephens, says, "One afternoon a hurricane of energy with a snare drum under his arm and the look of Rasputin, burst into the orchestra rehearsal room. It was my first experience of a John Stevens workshop."

In 1975 Nick Stephens took his bass guitar to Riverside Studio for a blow with John Stevens and Trevor Watts who were re-forming 'Away' This marked the beginning of a long friendship and musical partnership between Stevens and Stephens. A record deal with the Phonogram Vertigo label produced 3 albums and 2 singles, one of which - 'Annie' - an Alternative Charts topper, featured John Martyn. Away made regular radio broadcasts and appeared twice on BBC Two's Old Grey Whistle Test. They played two national tours of large rock venues - one with The Jazz Crusaders and opposite Ornette Coleman at London's Victoria - but John never lost sight of the collective, group improvisation ethic that he had first nurtured in the SME and at The Little Theatre Club. Nick continued to work with John until his death in 1994 playing in The Dance Orchestra, Folkus, Freebop, Fast Colour and umpteen small group gigs and workshops.

In 1988 Stephens received his first of two Arts Council Bursaries for composition and formed the Nick Stephens Septet. In 1994 Stephens and Frode Gjerstad formed Calling Signals with Paul Rutherford and percussionist Terje Issungset. Alongside Stephens and Gjerstad, later incarnations of the group have featured: Louis Moholo-Moholo, Hasse Poulsen, Paal Nillsen- Love, Lol Coxhill and Jon Corbett. Stephens is also a member of Gjerstad's international improvising orchestra the Circulasione Total Orchestra.

In 2005, to make available music that has escaped documentation and as an outlet for new recordings, Nick Stephens started the Loose Torque label.



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Monday, September 17, 2012

FRODE GJERSTAD with John Edwards & Mark Sanders - The Welsh Chapel (2003)




Label: Cadence Jazz Records – CJR 1161
Format: CD, Album; Country: US - Released: May 13, 2003
Producer by Frode Gjerstad, Bob Rusch; Engineer by Frode Gjerstad Recording
Barcode: 0786497524921 
Recorded in London's Welsh Chapel, August 4, 2002, England
Liner Note Author: Frode Gjerstad
Recording information: London, England (08/04/2002); Arrangers: Frode Gjerstad; John Edwards ; Mark Sanders; Audio Mixer: Frode Gjerstad




Review:

This one has all the trappings of an impromptu performance. After meeting British heavyweights bassist John Edwards and drummer Mark Sanders in the spring of 2002, Norwegian saxophonist Frode Gjerstad called them in advance of a trip to London that summer, and they decided to record a set in London's Welsh Chapel, with which they used Gjerstad's recording gear that he brought with him. The session clicks on almost every level for a variety of reasons. The saxophonist is clearly inspired by his rhythm section (who wouldn't be?), as they prod him to near-Elysian heights. Whether exploring the altissimo range on "The Welsh Chapel, Pt. 3" or just pounding away ferociously there and on every track, Gjerstad soars with the swiftness of an eagle readying to strike its prey. While a full hour of crushing pebbles sometimes makes for difficult listening, impressive solos by both Edwards and Sanders offer some respite, and Gjerstad's quieter sonorities on clarinet lessen the bite, though not the artistic value. By the time of this recording, Gjerstad had fully demonstrated his connection to the take-no-prisoners approach of, say, a Peter Brötzmann (with whom Gjerstad has recorded with usually outstanding results), but often the key to success lies in the vagaries of the moment and the compatibility of the sidemen. Here is an example of Gjerstad at his finest, blowing hard and firm, but connecting in mysterious ways with his hosts. For those wanting to be introduced to this exciting player, this album may be the place to start.

by Steve Loewy




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