Label:
MPS Records – 68.168
Format:
Vinyl, LP / Country: Germany / Released: 1977
Style:
Free Jazz, Free Improvisation
Recorded on 19.
October 1975 live at the Donaueschingen Music Festival.
Producer,
Recorded By [Recording Director] – Joachim Ernst Berendt
Photography
– Wim Riemens
A1
- Ouverture 'La Plagiata' . . . 6:20
A2
– Streaming . . . 5:25
A3
- Luiermuziek . . . 4:48
A4
- Logical . . . 5:59
B1
- PLO-March . . . 5:10
B2
- Trauermusik Aus 'Keetje Tippel' . . . 5:38
B3
- Szenenwechsel-Musik Aus 'La Plagiata' . . . 6:18
B4
- Riette . . . 4:22
B5
- Nietzsche Aan Te Doen . . . 1:15
(Nichts Dran Zu Ändern / Aus:
'Anthologie')Willem Breuker: saxophones & clarinets
Bob
Driessen: alto saxophone
Maarten
van Norden: tenor saxophone
Ronald
Snijders: flute
Boy
Raaijmakers: trumpet
Willem
van Manen: trombone
Bernhard
Hunnekink: trombone
Jan
Wolff: French horn
Leo
Cuypers: piano
Arjen
Gorter: double bass
Rob
Verdurmen: drums
Photos: Wim Riemens
Many
of the pioneers of "free music" are from the Netherlands. In 1966,
pianist Misha Mengelberg founds eg whole avant-garde, the ICP Orchestra with
Willem Breuker will be part at the beginning. Eight years later, in 1974, he
founded his own ensemble, the "Willem Breuker Kollektief." Dutch
clarinetist and an important contribution to the development of European jazz
is beginning to stand out from the all-powerful American model. Gradually, the
old continent jazzmen discover their own identity.
Two
aspects in particular distinguish the Willem Breuker Kollektief of others-seem:
a subversive humor rooted in the second component of its policy clear
music-ment, namely a true critique of society. Willem Breuker and reconnect all
in this with the compositions of Hanns Eisler apparently popular, but careful
listening reveals a true complexity. Not to mention "Parade" Erik
Satie whose diverse building styles inspired probably the model for the musical
concept of Willem Breuker. Pop music and circus music is also obvious references,
although shaken by the Kollektief who had eleven members in its infancy, they
take almost anarchic accents.
The
sharp Kollektief of concerts, with real set in the 70s in particular
theatricality is definitely political street theater in vogue at that time and
many works that Willem Breuker then composes for film and theater. However,
behind the wild arrangements changing at breakneck speed behind the musical
satire often tinged with sarcasm styles, pierces through a bitter seriousness
Kollektief which denounces social inequities. His trilogy ("Hunger",
"Thirst" and "Misery") is a prime example. Willem Breuker
and his musicians will meet the white circus clowns, characters sad white
makeup enhanced with a tear.
This
very serious game with art declined to infinity hide an enigmatic humor, Willem
Breuker Kollektief has practiced at the Donaueschingen Music Festival Concert
in 1975 published later under the ambitious title "The European Scene
"and met-known musicians such Maarten van Norden (saxophone), Boy Raaymakers
(trumpet), Willem van Maanen (trombone), Leo Cuypers (piano), Arjen Gorter
(bass) and Rob Verdurmen (drums). All have remained loyal for decades to Willem
Breuker. During this concert ovation, deliberate mix of satirical entertainment
and seriousness, it followed its "PLO March "music to the civil war
in Lebanon answer a moving musi-that funeral. Between these contrasts, as a
link in some way, Willem Breuker weaves excerpts from the music of burlesque
drama "The plagiata" which plays an essential role also in other
legendary concert at the Festival Kollektief Total Music Meeting in 1975
Berlin. Prokofiev and Shostakovich at home in the classical record, the works
of Willem Breuker leave a furious burst laughing with the emergency fail
reason. _ (Text: Reinhard Kager)
NOTE:
I
apologize to everyone, I did not know that the album WBK - 'Live in Berlin' re
available in digital form. You can get it via 'destination out' at a very
affordable price:
http://destination-out.bandcamp.com/
I
ask for understanding. Regards. Vitko
If
you find it, buy this album!
This comment has been removed by the author.
ReplyDeleteWILLEM BREUKER KOLLEKTIEF – The European Scene: Live At The Donaueschingen Music Festival 1975 (LP-1977)
DeleteFLAC/MP3+Cover
FLAC – Firedrive:
https://www.firedrive.com/file/86F905E3F3C42EF5
MP3-320 – 1fichier:
http://mwc3a1f6ac.1fichier.com/
Two very entertaining live appearances by the WBK. Thank you, Vitko, for your fine vinyl rips (and scans).
ReplyDeleteHi all,
ReplyDeleteGreat rips, great music, as usual
Thank you very much Vitko
Artemis
We understand, Vitko ! And besides I want to thank you for this bunch of 3 Breuker ! I couldn't hope anymore to have them one day !
ReplyDeleteThanks for this Breuker trio Vitko! Nice music.
ReplyDelete