CLIFFORD THORNTON – Ketchaoua (Actuel – 23 / LP-1969)

Label: BYG Records – 529.323

Series: Actuel – 23

Format: Vinyl, LP, Album / Country: France / Released: 1969

Style: Free Jazz, Free Improvisation

Recorded – August 18, 1969 in Paris, France

Composed By, Arranged By – Clifford Thornton

Coordinator [Coordination] – Jacques Bisceglia

Engineer – Claude Jauvert

Executive-Producer – Claude Delcloo

Photography By – Jacques Bisceglia

Producer – Jean Georgakarakos, Jean-Luc Young

A1 - Ketchaoua ...................................................................... 12:22

         alto saxophone – Arthur Jones

         bass – Beb Guerin

         congas, gong, percussion – Earl Freeman

         cornet, congas – Clifford Thornton

         drums – Sunny Murray

         piano, bells – Dave Burrell

         soprano saxophone – Archie Shepp

         trombone – Grachan Moncur III

A2 - Pan African Festival ....................................................... 7:50

         alto saxophone – Arthur Jones

         bass – Beb Guerin, Earl Freeman

         cornet, congas – Clifford Thornton

         drums – Sunny Murray

         piano – Dave Burrell

         soprano saxophone – Archie Shepp

         trombone – Grachan Moncur III

B1 - Brotherhood .................................................................. 10:43

         alto saxophone – Arthur Jones

         bass – Beb Guerin, Earl Freeman

         cornet – Clifford Thornton

         drums – Claude Delcloo

B2 - Speak With Your Echo (And Call This Dialogue) ........... 9:05

         bass – Beb Guerin, Earl Freeman

         cornet – Clifford Thornton

23rd volume in the BYG Actuel series; gatefold sleeve, 180 gram vinyl. This album was recorded in Paris on August 18, 1969 by Clifford Thornton (cornet and conga drums) with Grachan Moncur III (trombone), Archie Shepp (soprano saxophone), Arthur Jones (alto saxophone), Dave Burrell (piano), Sunny Murray (drums), Beb Guerin (bass), Earl Freeman (bass) and Claude Delcloo (drums).

"Clifford Thornton was a player and a composer whose obscurity was offset by the high esteem in which he was held by his fellow musicians... like Shepp, Thornton was actively involved in advancing the ideology of the black  movement... and all of his recordings are intense and important about those matters that were close to his heart -- liberation, communication and unity."

_ Byron Coley

Clifford Thornton's only Actuel date as a leader is, like many of the others in this BYG series, an all-star blowing session highly indicative of the times. For some, it will be difficult to tell whether taking credit for composing these pieces is a lost cause. This is some very free music and, save for a handful of scored passages, almost wholly improvised. A number of the scene's top players make appearances here in different groups.

Otherwise, "Brotherhood," a piece for quintet, is performed by Thornton, Jones, Guerin, Freeman, and this time, drummer Claude Delcloo, while on "Speak With Your Echo" only the two bassists (Guerin and Freeman) accompany Thornton's cornet. This piece in particular is especially enjoyable and reminiscent perhaps of Arthur Jones' fantastic ballad, "Brother B," from his own Actuel LP, Scorpio. At times the ensemble pieces sound like a Pan-African Morton Feldman, and at others, hazy, psychedelic post bop. Fans of brooding and contemplative improvised music will find a great deal to enjoy here. In fact, many would argue that this is the best LP under Thornton's leadership...

1969's Ketchaoua leaps through many styles in a way that reminds me of the Art Ensemble of Chicago and also Archie Shepp in this era—Shepp appears on half of the album.  Side A contains two long tracks that feature large ensembles and a lot of simple, interweaving percussion.  Both tracks gradually evolve into brief periods of recognizable jazz styles before floating back into more abstract terrain.  The opening title track might be the least prominent appearance from drummer Sunny Murray, who blends into the massed percussion.  The two tracks on side B are opposite extremes, though both feature smaller groups.  "Brotherhood" draws from New York energy jazz, with Claude Delcloo's percussion prominent in the mix.  "Speak with Your Echo" ends the album with its sparsest arrangement, featuring only Thornton and two bassists.  The recording quality varies, with the large groups sounding better than "Brotherhood", where the explosive percussion reverberates awkwardly in a boxy room. Who cares, it still sounds great.

Yes, definitely raw, awesome, volatile and atmospheric. Brilliant!

If you find it, buy this album!

WILDFLOWERS 1 – The New York Loft Jazz Sessions (Douglas / LP1-1977)

Label: Douglas – NBLP 7045

Series: Wildflowers: The New York Loft Jazz Sessions – 1

Format: Vinyl, LP, Album / Country: US / Released: 1977

Style: Free Jazz, Free Improvisation

Recorded May 14 thru May 23, 1976 at Studio Rivbea, 24 Bond Street, New York.

Engineer [Assistant] – Les Kahn

Engineer [Chief] – Ron Saint Germain

Engineer [Remote Assistant] – Matt Murray

Executive-producer – Harley I. Lewin

Liner Notes – Ross Firestone

Mastered By – Ray Janos

Photography By – Peter Harron

Producer – Alan Douglas, Michael Cuscuna, Sam Rivers

A1 - Kalaparusha – Jays ...................................................................................... 6:00

        Bass, Electric Bass – Chris White

        Drums – Jumma Santos

        Tenor Saxophone – Kalaparusha (Maurice McIntyre)

A2 - Ken McIntyre – New Times .......................................................................... 7:25

        Alto Saxophone – Ken McIntyre (Makanda)

        Congas – Andy Vega

        Percussion [Multiple] – Andrei Strobert

        Piano – Richard Harper

A3 - Sunny Murray & The Untouchable Factor – Over The Rainbow ................. 5:30

        Alto Saxophone – Byard Lancaster

        Bass – Fred Hopkins

        Drums – Sunny Murray

        Tenor Saxophone – David Murray

        Vibraphone – Khan Jamal

B1 - Sam Rivers – Rainbows ............................................................................. 10:00

        Bass – Jerome Hunter

        Drums – Jerry Griffin

        Soprano Saxophone – Sam Rivers

B2 - Air – Usu Dance ............................................................................................ 7:45

        Alto Saxophone – Henry Threadgill

        Bass – Fred Hopkins 
         Drums, Percussion – Steve McCall

In the mid-1970s, a jazz renaissance blossomed in large New York loft spaces that the musicians had reclaimed from the depressed blocks of the trendy Soho and Noho areas. The Wildflowers sessions, originally released on Douglas on five LPs, captured performances by almost 100 musicians in numerous configurations. The recordings were made over two weekends at the most famed of the lofts, Studio Rivbea, the home and workspace of saxophonist-flutist-composer Sam Rivers and his wife, Beatrice. Rivers orchestrated the lineup, played host to patrons, and performed as well. The sessions featured many figures well-established in New York, including Rivers, drummer Andrew Cyrille, and pianist Randy Weston, but they also attracted players from the seedbed of so much African American aesthetic jazz exploration in the 1960s and '70s, Chicago.

In addition, Rivers invited to town some key players from Philadelphia and New Haven; there were several newcomers to New York, too, including, from out West, a very young David Murray. The music all had immediacy and urgency fitting to the aesthetic task at hand--to consolidate the gains of the free-jazz and New Thing movements of the 1960s. Indeed, many of the players remain key figures today in that project: Anthony Braxton, Roscoe Mitchell, and Leo Smith among them. In addition to their performances, highlights of the package include Rivers's radiant meandering over his composition "Rainbow"; pianist Weston's impassioned homage to his father; and performances by important, but often under-recognized innovators, including saxophonist Ken McIntyre and pianist Dave Burrell. Here is a seminal document in American music...

If you find it, buy this album!

WILDFLOWERS 5 – The New York Loft Jazz Sessions (Douglas / LP5-1977)

Label: Douglas – NBLP 7049

Series: Wildflowers: The New York Loft Jazz Sessions – 5

Format: Vinyl, LP, Album / Country: US / Released: 1977

Style: Free Jazz, Free Improvisation

Recorded May 14 thru May 23, 1976 at Studio Rivbea, 24 Bond Street, New York.

Engineer [Assistant] – Les Kahn

Engineer [Chief] – Ron Saint Germain

Engineer [Remote Assistant] – Matt Murray

Executive-producer – Harley I. Lewin

Liner Notes – Ross Firestone

Mastered By – Ray Janos

Photography By – Peter Harron

Producer – Alan Douglas, Michael Cuscuna, Sam Rivers

A - Sunny Murray & The Untouchable Factor – Something's Cookin' ......... 17:00

       Alto Saxophone, Flute – Byard Lancaster

       Bass – Fred Hopkins

       Drums – Sunny Murray

       Tenor Saxophone – David Murray

       Vibraphone – Khan Jamal

B - Roscoe Mitchell – Chant ........................................................................ 25:19

       Alto Saxophone – Roscoe Mitchell

       Drums – Don Moye

       Percussion, Drums, Saw – Jerome Cooper

...Probably most representative document of loft jazz era was this five vinyl set "Wildflowers", recorded during May 1976 at Rivbea Studio and released on tiny Douglas Records in 1977. Decades after this release received almost cult status. Each of five albums contains collection of compositions recorded by different artists...

And in the end always comes delicacy, long mantra Roscoe Mitchell's "Chant" (an exercise in marathon circular breathing that walks the line between exhilarating and fantastic)—but at the same time houses a couple of the collection's most outstanding selections. 

The other highlight of the fifth vinyl, is the return of Sunny Murray and the Untouchable Factor for the 17-minute "Something's Cookin'". Beginning as a fragile web supported by Murray's cymbal whispers, the mood expands through the otherworldly plateaus spun by Jamal's vibes and a kinetic tenor/alto dialogue between Murray and Lancaster—only to finish on the spiritual edge where Hopkins' bowed levitations meet Lancaster's primordial flute... oh yes...

No self-respecting listener of free jazz should go without hearing these sessions, as they document a period in the music's history that, until now, has been severely neglected.

But, and this is very important:

The psychedelic colors of the record cover jumped out to me immediately. I loved the album art - a collage of jazz greats fronting a backdrop of New York City. It was so different...

Enjoy!

If you find it, buy this album!

DAVE BURRELL – High Won - High Two (2LP-1976)

Label: Arista – AL 1906, Freedom – AL 1906

Format: 2 × Vinyl, LP, Album; Country: US - Released: 1976

Style: Free Improvisation, Free Jazz

Recorded in New York City, 6th February 1968 except East Side Colors (9th September 1968)

Art Director – Bob Heimall

Artwork [Cover Art] – Benno Friedman

Design – Nancy Greenberg

Liner Notes – Stanley Crouch

Photography By – Raymond Ross

Producer – Alan Douglas

Producer [Additional Production] – Michael Cuscuna

"High Won-High Two" is the second studio album released by jazz pianist Dave Burrell. It was recorded on February 9, 1968 and was first released as an LP record later that year by Black Lion Records.

A  -  West Side Story (Medley) . . . 19:48

        (Arranged By – D. Burrell, Composed By – L. Bernstein)

B1 - Oozi Oozi . . . 3:11

B2 - Bittersweet Reminiscence . . . 3:45

B3 - Bobby And Si . . . 2:13

B4 - Dave Blue . . . 2:37

B5 - Margie Pargie (A.M. Rag) . . . 3:02

C  -  East Side Colors . . . 15:52

D  -  Theme Stream Medley . . . 15:35

        a. Dave Blue

        b. Bittersweet Reminiscence

        c. Bobby And Si

        d. Margie Pargie (A.M. Rag)

        e. Oozi Oozi

        f. Inside Ouch

DAVE BURRELL – Piano, Composed, Arranger

SIRONE (Norris Jones) – Bass

PHAROAH SANDERS – Tambourine

BOBBY KAPP – Drums (tracks: A to B5, D)

SUNNY MURRAY – Drums (track: C)

Dave Burrell has long been a favorite pianist for his remarkable ability to play across stylistic boundaries in jazz. After graduating from Berklee College of Music in 1965 with a degree in composition, arranging and performance, Burrell dedicated himself to the pursuit of creative music that combines his dual talents as composer and free jazz improviser, performing alongside artists such as Marion Brown, Archie Shepp, Pharoah Sanders and David Murray. Few pianists have so successfully and consistently performed improvised music containing influences ranging from Jelly Roll Morton, Thelonious Monk and Duke Ellington to classical composers such as Puccini—see Burrell's LP, "La Vie de Boheme" (BYG/Get Back Records, 1969) and this a front of you, Leonard Bernstein trio LP "High Won-High Two" (Douglas/Black Lion, 1968 - Arista/Freedom, 1976) with Sirone and Sunny Murray. His predecessor, pianist Jaki Byard was similarly able to seamlessly employ the entire history of jazz in a single solo with Charles Mingus' 1964 sextet...

... Dave Burrell has long had a highly original style on piano, not quite outside but far from conventional. This LP, a trio set with bassist Sirone and either Bobby Kapp or Sonny Murray on drums. Most intriguing is a 19½-minute "West Side Story Medley" that features Burrell playing many of the songs from Leonard Bernstein's work in abstract fashion. There is also the lengthy "East Side Colors," five brief (around three-minutes apiece) versions of five of Burrell's originals and the "Theme Stream Medley" which has reprises of the five songs plus a sixth piece ("Inside Ouch").

_ By Scott Yanow

Extremely good set.

If you find it, buy this album!

ALEXANDER von SCHLIPPENBACH / SUNNY MURRAY – Smoke (1990)

Label: FMP – FMP CD 23
Format: CD, Album; Country: Germany - Released: 1990
Style: Free Jazz, Free Improvisation
Recorded on October 6th, 1989 at the FMP-Studio/Berlin
Mastered By – Jonas Bergler
Producer, Recorded By, Mixed By, Photography By, Layout – Jost Gebers

This duet between Dutch pianist Alexander von Schlippenbach and vanguard drummer Sunny Murray is one of those records that makes FMP such a necessary label. This impromptu meeting between two giants of that "other" jazz world, the avant-garde, reveals with startling clarity the inherent musical courage it takes to play freely with another musician you have never encountered. This nearly 80-minute recording was done in one day in 1989. Here, von Schlippenbach abdicates his normal responsibilities as a leader and becomes a collaborator. Murray, never really anybody's sideman, takes the reins and turns his rhythmic chops on in such a way that the pianist cannot help but to respond in a like manner. So listeners have a study in rhythmic improvisation. The colliding skeins of von Schlippenbach's notes are patterned after the rolling rim shots of Murray's left hand. His arpeggios land like punches in the heart of the tom-tom and bass drum fills, and together they create the rhythmic impulse to improvisation. With the exception of a truly bent -- that is, very innovative -- read of Monk's "Trinkle, Tinkle," the set is one of improvisations credited to one man or the other. Figures combine to make new structures, as bass notes are discarded in favor of side rolls and cymbal shimmers. Also, as middle-register tonal clusters are etched into the pulse of each track, Murray works to accent them, bringing them out from the drums so that they can become drums in and of themselves. And when it's over, in the silence, the listener will most assuredly sit for a while in disbelief at what just transpired.

_ Review by THOM JUREK



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CHRISTIAN BRAZIER / SUNNY MURRAY / RASUL SIDDIK / SOPHIE AGNEL – Pérégrinations (1995)

Label: Bleu Regard – Bleuregard 1953
Format: CD, Album; Country: France - Released:1997
Style: avant-garde, Free Improvisation, Contemporary Jazz, Free Jazz
Recorded at Pernes-les-Fontaines, Studios la Buissonne 10/1995
Re-Design by ART&JAZZ Studio, by VITKO
Performer: Christian Brazier, Sunny Murray, Rasul Siddik, Sophie Agnel

Christian Brazier - double bass

Bassist Christian Brazier is much or more of a composer than he is a bandleader. His quartet here with Sunny Murray (drums), Sophie Agnel (piano), and Rassu Siddik (trumpet) certainly matches Brazier's flair for the dramatic side of the vanguard. On 11 compositions ranging over the new jazz terrain, Brazier creates a series of soundscapes where the roles get blurred and the surfaces are washed over with a dynamic that is less familiar than it should be. Brazier, for one, is not afraid of 20th century European classical music, and its figures and dynamics weigh heavily in his compositions. His reliance, like Butch Morris, on controlling the atmosphere for improvisation — as on "The Long Route," "Dilemma," and "Portrait Africain" — is as much MO as it is a compositional device. Brazier knows what he looks to get from the this group of players in particular, and he does, even from the freest and hardest- to-control of his bandmates, the indomitable Sunny Murray. Murray, on all of the aforementioned compositions and a couple of others, pushes the notions of tempo and time to their outer limits, dragging the soloists to the very line Brazier has written for them and once in a while across it. His own drumming careens and clashes with Brazier's mannered bassing so thoroughly, it's as if they were born to play counterpoint with one another. This is an incredible record of dialogue, argument, refutation, and often resolve that carries the new jazz firmly into the realm of classical motifs and then leaves them both panting in the dust. Recommended.

_ Review by THOM JUREK



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