Label:
Deram – SML 1005
Format:
Vinyl, LP, Album, Stereo / Country: UK / Released: 1967
Style:
Post Bop, Free Improvisation
Recorded at
Jackson Studios, January 15, 18 and 24, 1967.
Design
[Sleeve Design] – Gillian Jackson Designs
Liner
Notes – Charles Fox
Producer
– John Jackson, Malcolm Jackson
This
is the original THE GRAHAM COLLIER SEPTET - Deep Dark Blue Centre 1967 STEREO
release, 1st PRESS
Also in mono (Cat# DML 1005)
A1
- Blue Walls ....................................................................................
4:32
A2
- El Miklos ......................................................................................
6:48
A3
- Hirayoshi Suite .............................................................................
5:55
A4
- Crumblin Cookie ..........................................................................
5:21
B1
- Conversations ..............................................................................
6:42
B2
- Deep Dark Blue Centre .............................................................. 13:23
Graham
Collier – bass, arranged
Dave
Aaron – alto saxophone, flute
Karl
Jenkins – baritone saxophone, oboe
Philip
Lee – guitar
Kenny
Wheeler – trumpet, flugelhorn (tracks: A2, B1, B2)
Harry
Beckett – trumpet, flugelhorn (tracks: A1, A3, A4)
Michael
Gibbs – trombone
John
Marshall – drums, percussion
A fine bassist and one of the most important British jazz composers and arrangers, Graham Collier boasts a discography the envy of many of his contemporaries. This critically acclaimed album features a young Kenny Wheeler, and Harry Beckett, with others from the vibrant British scene of the late 1960s. Collier's influences have been tied to Charles Mingus, Bill Evans, and even Miles Davis, and this unlikely combination is clearly evident in his concepts: There are contrapuntal lines, complex rhythms tempered by a gentleness and glazed by simultaneous improvisations. The substantial nature of the music amply rewards the adventurous listener. The strong personalities of the soloists ensure individuality, while the juxtaposition of the flute, guitar, and trumpet lend a light air to some of the tracks. Collier's wonderfully diverse compositions are waiting to be discovered by a new generation, as his timeless, carefully crafted structures are charmingly alluring...
(Review
by Steve Loewy)
"Collier's
Septet plays Collier's music which is brilliantly constructed in the Gil Evans
manner. Could any recommendation be higher? Collier has a great ear for melody,
for new ways of jazz counterpoint, for interesting instrumentation. Five
stars".
(Derek
Jewell, The Sunday Times)
If
you find it, buy this album!
