Showing posts with label Milton Suggs. Show all posts
Showing posts with label Milton Suggs. Show all posts

Monday, April 10, 2017

SHAMEK FARRAH – First Impressions (Strata-East – SES-7412 / LP-1974)




Label: Strata-East – SES-7412
Format: Vinyl, LP, Album / Country: US / Released: 1974
Style: Soul-Jazz, Contemporary, Free Jazz
Recorded and mixed at Sound Ideas Studio, New York City.
Artwork [Graphics] – Jerry Harris
Photography By [Liner Photo] – Richard Hinson
Engineer [Recording] – Geoff Daking, George Klabin
Producer – Shamek Farrah / Janfar Productions
Matrix / Runout (Side A Etched): SES-7412-A
Matrix / Runout (Side B Etched): SES-7412-B

A1 - Meterologicly Tuned ................................................................................... 11:20
A2 - Watch What Happens Now .......................................................................... 5:43

Shamek Farrah – alto saxophone
Norman Person – trumpet
Kasa Mu-Barak – piano
Milton Suggs – bass
Clay Herndon – drums, percussion

B1 - Umoja Suite ................................................................................................. 7:26
B2 - First impressions ....................................................................................... 10:30

Shamek Farrah – alto saxophone
Norman Person – trumpet
Sonelius Smith – piano
Milton Suggs – bass
Ron Warwell – drums
Kenny Harper – percussion
Calvert "Bo" Satter-White – conga

Fantastic piece of free improvised groove jazz. The players are kind of doing there solos together at the same time, but never loose touch to that bassline groove, outstanding, free, but never too free, just really soulful interaction and a mysterious ancient vibe to it.



One of the hardest to find records on Strata East, and one of the best – a darkly-crafted session of pure beauty, one that lives up to all the best promise of the label! The tracks are long, the sound is bold, and the whole thing moves at a pace that none of the bigger jazz labels were matching at the time – the most righteous, most expressive side of jazz in the mid 70s! Alto player Shamek Farrah is at the lead of a unique group that features Norman Person on trumpet, Milton Suggs on bass, and Sonelius Smith on piano – plus lots of additional drums and percussion, especially on side two of the album, which features some really righteous numbers! Titles include the massive bass sample track "First Impressions" – a symphony of dark, descending chord structures – plus "Meterologicly Tuned", "Watch What Happens Now", and "Umoja Suite". Incredible good! 
(Dusty Groove, Inc.)



If you find it, buy this album!

Saturday, April 1, 2017

UNITY / BYRON MORRIS – Blow Thru Your Mind (E.P.I. Rec - EPI-02 / LP-1974)




Label: E.P.I. Records – EPI-02
Format: Vinyl, LP, Album / Country: US / Released: 1974
Style: Free Improvisation, Modal
Recorded on December 30, 1973, at Minot Sound Studios, White Plains, NY.
Cover [Cover Art] – John Blazeski
Photos By – Gerald Wise
Photography By [Photo Consult] – Peter Hurd
Layout – Betty Morris
Mixed By – Byron Morris, Ron Carran
Producer – Byron Morris, Gerald Wise
Matrix / Runout (Side A): EPI-02-A
Matrix / Runout (Side B): EPI-02-B

A1 - Kitty Bey ............................................................................................. 12:25
A2 - Ether ..................................................................................................... 6:20
B1 - Reunion .............................................................................................. 11:40
B2 - Transcendental Lullaby ........................................................................ 7:00

Personnel:
Byron Morris – baritone saxophone, alto saxophone
Vince McEwan – trumpet
Mike Kull – piano
Jay Clayton – vocals
Milton Suggs – bass
Abdush Shahid – drums
Tony Waters – percussion, congas, maracas

The music on this LP is excellent. A major departure from the dissonant free jazz that Morris explored on 1969's Unity session, Blow Thru Your Mind contains modal post-bop that is melodic and relatively accessible. This is a very spiritual album; a lot of spirituality goes into the solos of Morris and trumpeter Vincent McEwan, as well as the ethereal vocals of female singer Jay Clayton (who is featured on tracks like "Ether," "Reunion," and "Transcendental Lullaby"). Blow Thru Your Mind is enthusiastically recommended to anyone who is seriously into modal jazz...


Byron Morris and Unity released Blow Through Your Mind originally in the US in 1974. 
The LP was recorded a year earlier at Minot Sound Studios in White Plains, New York. This studio was a favorite with many independent Jazz groups at this time -- for instance, many recordings for the independent Strata East Records, co-owned by Stanley Cowell and Charles Tolliver, were made here. Unity was formed with similar values, aims and objectives of many similar groups at the time, as the name suggests. Uniquely, it managed to match the musical and spiritual searching of John Coltrane, Pharoah Sanders and Ornette Coleman alongside an equally experimental New York art-music dimension that was brought into the group by vocalist Jay Clayton, who has performed with, amongst many others, Steve Reich. With bassist Milton Suggs having played in Sun Ra's Arkestra, and Byron Morris studied with Ornette Coleman and Rahsaan Roland Kirk, it is possible to see the path that makes up 'Kitty Bey', twelve minutes of musical intensity, that sounds like nothing else ever recorded. 
Kitty Bey was originally featured on Universal Sounds Of America on Soul Jazz. Originally released on Unity's own EPI label and distributed by hand, this record has remained an underground classic recording for over 25 years?......




Note:
Blow Thru Your Mind, which first came out on vinyl in 1974, was EPI's second release. In 2002, Blow Thru Your Mind and Morris' next album, Vibrations, Themes and Serenades, were both reissued on CD by Céleste Music (a Japanese label). But those Céleste reissues weren't the first time that Morris' '70s recordings had been heard on CD; in 1994, Morris combined material from Blow Thru Your Mind and Vibrations.
Unfortunately, all of these re-releases have long ago are out-of-print.

Review by Alex Henderson



If you find it, buy this album!