Label:
Mercury – EMS-2-403
Series:
The EmArcy Jazz Series –
Format:
2 × Vinyl, LP, Compilation, Remastered / Country: US / Released: 1976
Country
of Origin: Netherlands
Style:
Hard Bop
Recorded at
Capitol Studio Los Angeles, August 3,5 & 6, 1954 and Capitol, New York,
February 23, 1955.
Art
Direction [Art Director AGI] – Jim Schubert
Artwork
– Bob Ziering
Compiled
By, Liner Notes – Dan Morgenstern
Design
– Joe Kotleba
Engineer
[Cutting] – Gilbert Kong
Reissue
Producer – Robin McBride
Remastered
By [Tape] – Dick Campbell
A1
- Delilah . . . . . 8:06
A2
- Parisian Thoroughfare . . . . . 7:14
A3
- Jordu . . . . . 7:48
B1
- Sweet Clifford . . . . . 6:40
B2
- Ghost Of A Chance . . . . . 7:20
B3
- Stompin' At The Savoy . . . . . 6:26
C1
- I Get A Kick Out Of You . . . . . 7:36
C2
- Joy Spring . . . . . 6:51
C3
- Mildama . . . . . 4:25
D1
- Daahoud . . . . . 4:04
D2
- Gerkin For Perkin . . . . . 2:58
D3
- Take The A Train . . . . . 4:21
D4
- Lands End . . . . . 4:58
D5
- Swingin' . . . . . 2:52
Clifford
Brown – trumpet
Max
Roach – drums
Harold
Land – tenor saxophone
George
Morrow – bass
Richie
Powell – piano
To
me, the name of Clifford Brown will always remain synonymous with the very
essence of musical and moral maturity. This name will stand as a symbol of the
ideals every young jazz musician should strive to attain.
This
name also represents a musician who had intelligent understanding and awareness
of social, moral, and economic problems which constantly confuse the jazz
musician, sometimes to the point of hopeless rebellion.
In
the summer of 1953, while I was working with the Lionel Hampton band in
Wildwood, N.J., I begged Hamp to hire three of the musicians from Tadd
Dameron's band, which was nearing the end of its Atlantic City engagement: Gigi
Gryce, Benny Golson, and Clifford Brown. They were all hired and then began an
association that I'll always be grateful to Lionel for.
Brownie
stayed on to go to Europe with this band and became closely associated with
several other young musicians who were of growing importance in the jazz world,
such as Art Farmer, Anthony Ortega, Jimmy Cleveland, Alan Dawson, and George
Wallington. Although this band never played in the states together, I think it
was one of the best Hamp ever had.
By
means of an ex-tensive recording schedule abroad, Brownie came first to the
eyes and ears of the French and Swedish jazzmen and a new thoroughbred was on
the jazz scene. The uniting of Clifford Brown with the trumpet must have been
declared from above. For seldom does a musical vehicle prove to be so
completely gratifying as the trumpet was to Clifford.
Here
was the perfect amalgamation of natural creative ability, and the proper amount
of technical training, enabling him to contribute precious moments of musical
and emotional expression. This inventiveness placed him in a class far beyond
that of most of his poll-winning contemporaries. Clifford's self-assuredness in
his playing reflected the mind and soul of a blossoming young artist who would
have rightfully taken his place next to Charlie Parker, Dizzy Gillespie, Miles
Davis, and other leaders in jazz.
In
this generation where some well-respected and important pioneers condemn the
young for going ahead, Brownie had a very hard job. He constantly struggled to
associate jazz, it's shepherds, and it's sheep, with a cleaner element, and
held no room in his heart for bitterness about the publicity-made popularity
and success of some of his pseudo-jazz giant brothers, who were sometimes very
misleading morally and musically. As a man and a musician, he stood for a
perfect example and the rewards of self-discipline.
It
is really a shame that in this day of such modern techniques of publicity,
booking, promoting, and what have you, a properly-backed chimpanzee can be a
success after the big treatment. Why can't just one-tenth of these efforts be
placed on something that is well-respected, loved, and supported in every
country in the world but it's own?
Except
for a very chosen few, the American music business man and the majority of the
public (the Elvis Depressley followers specifically) have made an orphan out of
jazz, banishing its creators and true followers and adopting idiots that could
be popular no place else in the universe. I'll go so far as to bet that the
salaries of Liberace, Cheeta, and Lassie alone could pay the yearly cost of
booking every jazzman in the country.
This
is why it's such a shame that Clifford Brown, Charlie Parker, Fats Navarro, and
others have to leave the world so unappreciated except for a small jazz circle.
I hope some of us live to see a drastic change.
In June, 1950,
Clifford Brown's career was threatened by an auto accident while he was with
the Chris Powell band, which kept him from his horn for a whole year. Exactly
six years later, by the same means of an auto accident, death took its toll of
Clifford Brown, along with his pianist Richard Powell (brother of Bud Powell),
and Richard's wife.
Clifford,
at 25, was at the beginning of showing capabilities parallel only to those of
Charlie Parker. There was nothing he would stop at to make each performance
sound as if it were his last. But there will never be an ending performance for
him, because his constant desire was to make every musical moment one of
sincere warmth and beauty; this lives on forever. This would be a better world
today if we had more people who believed in what Clifford Brown stood for as a
man and a musician.
Jazz will always be grateful for his few precious moments;
I know I will.
By
Quincy Jones
Downbeat
Magazine, August, 1956
If
you find it, buy this album!
CLIFFORD BROWN – The Quintet Vol. 1 (2LP-1976)
ReplyDeleteVinyl Rip/FLAC+Artwork
LP1:
https://1fichier.com/?e1ofrkstt0
LP2:
https://1fichier.com/?crmrjx887q
Wow -- Vitko, thank you!! My dad bought me this LP for Xmas back in 1976....have not heard it since...!
ReplyDeleteWell, good listening and happy Xmas.
DeleteRegards, V
Had this one on 8 track(!) when I was a kid. Wore that sucker out in my car.
ReplyDeleteCheers :)
DeleteMany thanks.
ReplyDeleteThanks a lot, Mr. Vitko
ReplyDeleteodradek
great blog mister, thank you!
ReplyDeleteGreat to find this, thanks. My LPs are too warped to rip.
ReplyDeleteBIG THX!....
ReplyDeleteWonderful music. What a talent we lost in that car crash. Thnx for the share.
ReplyDeleteCheers. V
Deletethanks a million !! do you have vol 2 by chance ?
ReplyDeletetrue fab...Quincy Jones says it all...
ReplyDeletethank you Vitko...
links - dead
ReplyDeleteit is a great .... sadness
could you kindly re-upload?
ReplyDeleteThank you in advance
Greetings from Greece.